IDBURY PRINTS

Pochoir is a process of hand-stencilled colour, applied either to a black line lithograph or a line block. Developed initially as a way of reproducing watercolour drawings (a technique exploited brilliantly by artists such as André Dignimont), pochoir also proved ideally suited to the Art Deco style, with its masses of discrete colour. The fashion plates of magazines such as the Gazette du Bon Ton were reproduced by pochoir, and the great fashion illustrators such as Pierre Brissaud and Charles Martin also used the technique very effectively in other contexts. Fine artists were also quick to understand the possibilities of pochoir, among them Henri Matisse (in Jazz), Sonia Delaunay (in Prose du Transsibérien and Compositions, Couleurs, Idées), and André Lanskoy (in Cortège). We have a rare set of Delaunay's pochoir plates for Compositions, Couleurs, Idées, plus abstract compositions in pochoir by many leading Modernist painters. We also have a good selection of Art Deco and School of Paris pochoirs. The pochoir technique was perfected by Saudé; other masters of the art of applying pochoir colour were Charpentier and Renson. In England, the Curwen Press adapted the process by using transparent stencils.

 
CHARLES MARTIN
Comment l'ésprit vient aux filles, 1930
Pochoir
 
ANDRE BLOC
Composition, 1952
Pochoir
 
JEAN RENE BAZAINE
Composition, 1958
Pochoir
 
HANS (JEAN) ARP
Composition, 1958
Pochoir
 
SONIA DELAUNAY
Composition 7, c.1930
Pochoir
 
SONIA DELAUNAY
Composition I, c.1930
Pochoir
 
SONIA DELAUNAY
Composition II, c.1930
Pochoir
 
SONIA DELAUNAY
Composition III, c.1930
Pochoir
 
SONIA DELAUNAY
Composition IV, c.1930
Pochoir
 
SONIA DELAUNAY
Composition IX, c.1930
Pochoir
 
SONIA DELAUNAY
Composition V, c.1930
Pochoir
 
SONIA DELAUNAY
Composition VI, c.1930
Pochoir

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